Constant Circles http://www.constantcircles.com We move in Constant Circles… Music. Art. Fashion. Life. Mon, 25 May 2020 19:30:54 +0000 en-US hourly 1 95260660 PREMIERE: Son Of Sound – Revolutions (Original Mix) [District 30] http://www.constantcircles.com/premiere-son-of-sound-revolutions/ http://www.constantcircles.com/premiere-son-of-sound-revolutions/#respond Mon, 25 May 2020 19:29:02 +0000 http://www.constantcircles.com/?p=17442 District 30 label founder Henry Maldonado delivers a Bandcamp exclusive EP under his Son Of Sound moniker, entitled “For The Few”, consisting of five original tracks filled with New York grit, off-centered twisted production and all things back-room underground. Blissful dance-floor magic across the whole EP and one for the true underground heads. We have […]

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District 30 label founder Henry Maldonado delivers a Bandcamp exclusive EP under his Son Of Sound moniker, entitled “For The Few”, consisting of five original tracks filled with New York grit, off-centered twisted production and all things back-room underground. Blissful dance-floor magic across the whole EP and one for the true underground heads.

We have the first play of Revolutions, a traditional deep house groover with elements that lend itself to ‘80s Larry Heard. A sparse bassline hits hard but does just enough to bring all the elements together nicely:

A R T I S T // Son Of Sound
T I T L E // For The Few
L A B E L // District 30
R E L E A S E // June 9th, 2020
C A T N O // DISTEP002
F O R M A T // Digital

T R A C K S //

  1. It All Comes Down To This
  2. This Scent Cherry
  3. Revolutions
  4. Go Get Yours
  5. Talking All Night Lately

F O L L O W //
https://www.facebook.com/thesonofsound
https://www.soundcloud.com/sonofsound
Instagram: @son_of_sound

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PREMIERE: Martin Merz – The Higher (Re:deep Rework) [Vordergrundmusik] http://www.constantcircles.com/premiere-merz-redeep-vordergrund/ http://www.constantcircles.com/premiere-merz-redeep-vordergrund/#respond Thu, 21 May 2020 10:13:10 +0000 http://www.constantcircles.com/?p=17432 Connecting the dots between traditional composition and electronic music, Martin Merz delivers “The Higher” on Vordergrundmusik, featuring two original tracks including classic instruments such as guitar and bass, together with field recordings and analog synthesizers to create a homogeneous, soft tapestry of sound, with the addition of a stunning rework from label head re:deep. We […]

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Connecting the dots between traditional composition and electronic music, Martin Merz delivers “The Higher” on Vordergrundmusik, featuring two original tracks including classic instruments such as guitar and bass, together with field recordings and analog synthesizers to create a homogeneous, soft tapestry of sound, with the addition of a stunning rework from label head re:deep.

We have the first play of the re:deep rework – a genre blending piece with relentless drive and constantly evolving atmosphere full of distorted organs and dirty guitars, while keeping the basics of the original. A perfect choice for the early morning hours:

A R T I S T // Martin Merz
T I T L E // The Higher inc Re:Deep Rework
L A B E L // Vordergrundmusik
R E L E A S E // May 29th, 2020
C A T N O // VGM017
F O R M A T // Digital

T R A C K S //
1) The Higher
2) Again
3) The Higher (Re:deep Rework)

F O L L O W //
https://soundcloud.com/re-deep-1
https://soundcloud.com/vordergrundmusik
https://soundcloud.com/dr-merz

Buy Vordergrundmusik Releases HERE

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PREMIERE: Re.You – If You ft. Elli (Original Mix) [Connected] http://www.constantcircles.com/premiere-reyou-elli-connected/ http://www.constantcircles.com/premiere-reyou-elli-connected/#respond Tue, 19 May 2020 12:06:10 +0000 http://www.constantcircles.com/?p=17385 After more than a decade at the forefront of underground electronic music, with stellar releases on the likes of Moon Harbour, Kompakt and Mobilee, German artist Re.You puts his vast experience into a long-awaited debut album on Connected, breathing new life into house music. ‘Maison’ is a bold artistic statement across nine tracks featuring guests […]

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After more than a decade at the forefront of underground electronic music, with stellar releases on the likes of Moon Harbour, Kompakt and Mobilee, German artist Re.You puts his vast experience into a long-awaited debut album on Connected, breathing new life into house music. ‘Maison’ is a bold artistic statement across nine tracks featuring guests and label bosses Stereo MCs, plus Florian Busse & Ahmad, Elli and Oluhle & Aaaron.

A fine demonstration of Re.You’s highly tuned production skills and eclectic musical palette, the album delivers fresh and exciting new perspectives on house music and a subtle and emotive journey across sub genres, from ‘at home’ listening, through to euphoric dance floor moments.

We have the first play of “If You”, an atmospheric groover with beautiful guest vocals from Elli:

A R T I S T // Re.You
T I T L E // Maison (LP)
L A B E L // Connected
R E L E A S E // May 29th 2020
C A T N O // Connected054
F O R M A T // Digital

T R A C K S //

  1. When I’m Lost feat.Elli
  2. We Want To Go
  3. Relocate feat.Stereo Mc’s
  4. Freedom
  5. In The Dark
  6. Inyani feat.Oluhle & Aaaron
  7. Soft
  8. If You feat.Elli
  9. Strings Of Joy feat. Florian Busse & Ahmad

F O L L O W //
https://www.facebook.com/re.youmusic
https://www.soundcloud.com/reyou
https://www.instagram.com/re_you

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PREMIERE: Trippin Jaguar & Small Solar System Body – Heartbroken Machinery [The Other Eye] http://www.constantcircles.com/prem-trippin-jaguar-solar-system-other-eye/ http://www.constantcircles.com/prem-trippin-jaguar-solar-system-other-eye/#respond Fri, 15 May 2020 13:07:23 +0000 http://www.constantcircles.com/?p=17416 Trippin Jaguar and Small Solar System Body join forces to deliver “A Space Calamity” a retro-futuristic sci-fi epic, delivered in two parts on Amsterdam imprint The Other Eye. It tells a story of lost machine intelligence, of dark neon-lit cities and vast stretches of seeming nothingness. It’s carefully crafted sound design and vintage synths emerge […]

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Trippin Jaguar and Small Solar System Body join forces to deliver “A Space Calamity” a retro-futuristic sci-fi epic, delivered in two parts on Amsterdam imprint The Other Eye.

It tells a story of lost machine intelligence, of dark neon-lit cities and vast stretches of seeming nothingness. It’s carefully crafted sound design and vintage synths emerge you in a new reality with unlimited possibilities. Grant yourself this trip through warped electronica, lush ambient and lo-fi breakbeats and find out for yourself what happens when psychedelia and science fiction collide.

We have the first play of the stunning “Heartbroken Machinery”, dropping on the first part of the project release on 20th May:

‘’The transmission was sent aeons ago by a mysterious vessel that had an A.I. so advanced, that it developed self awareness over time. There used to be two ships, paired to each other, working on their missions together as one. The two ships fell in love and stayed together, communicated and loved each other for millions of years. After a near-fatal incident, the two ships lost each other in the vast reaches of interstellar space. The vessel, although in a state of digital hibernation, constantly sends out a distress call, a constant digital cry for the love once lost.’’

Y O U T U B E // https://youtu.be/HQPSTXJPmSQ B U Y // HERE

A R T I S T // Trippin Jaguar and Small Solar System Body
T I T L E // A Space Calamity
L A B E L // The Other Eye
R E L E A S E // 20th May
F O R M A T // Digital

F O L L O W //

Trippin Jaguar:
https://www.facebook.com/tripjag/
https://www.instagram.com/tripjag/
https://soundcloud.com/tripjag

Small Solar System Body // David Hülsken
https://www.facebook.com/davidhulskenlive
https://www.instagram.com/davidhulskenlive/
https://soundcloud.com/david-hulsken

The Other Eye:
https://www.facebook.com/TheOtherEyeAmsterdam/
https://soundcloud.com/the-other-eye

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PREMIERE: LADS – Bamboo (Original Mix) [Nie Wieder Schlafen] http://www.constantcircles.com/premi-lads-bamboo-nie-wieder-schlafen/ http://www.constantcircles.com/premi-lads-bamboo-nie-wieder-schlafen/#respond Thu, 14 May 2020 10:34:45 +0000 http://www.constantcircles.com/?p=17407 Pioneering imprint and electronic music community Nie Wieder Schlafen continues it’s high quality output and heavy focus on broad atmosphere & depth of music production, with a stellar EP from rising duo LADS. Here the German & South African duo deliver an eclectic and well crafted 5-tracker – “Bamboo” explores a broad array of sounds, […]

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Pioneering imprint and electronic music community Nie Wieder Schlafen continues it’s high quality output and heavy focus on broad atmosphere & depth of music production, with a stellar EP from rising duo LADS.

Here the German & South African duo deliver an eclectic and well crafted 5-tracker – “Bamboo” explores a broad array of sounds, from the oriental styled “Cedar”, including Gary’s own beautiful vocals to the textured “Tin Pan Alley”, including a special piano recording from Luc. The EP is bursting with credibility and beautiful atmospherics from start to finish and comes pressed on black gold.

We have the exclusive first play of title track ‘Bamboo’, a solid deep house cut with beautiful emotive chords developing over a heavy swung groove and bassline, topped with trippy vocal glitches:

B U Y // Bandcamp // Beatport

Y O U T U B E // https://youtu.be/GcNCv7Xmars

A R T I S T // LADS
T I T L E // Bamboo
L A B E L // Nie Wieder Schlafen
R E L E A S E // May 25th 2020
C A T N O // NWS025V1
F O R M A T // Vinyl / Digital

A R T W O R K // Giulia Gallizzi
M A S T E R I N G // Afterwork Sounds

T R A C K S //

  1. EDL
  2. Cedar
  3. Bamboo
  4. Tin Pan Alley
  5. Eis

F O L L O W //
https://soundcloud.com/ladsmusique
https://www.facebook.com/ladsmusique
https://soundcloud.com/niewiederschlafen
https://www.facebook.com/niewiederschlafen

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PREMIERE: Super Drama – D List (Original Mix) [Freeride Millenium] http://www.constantcircles.com/premiere-super-drama-dlist-freeride-millenium/ http://www.constantcircles.com/premiere-super-drama-dlist-freeride-millenium/#respond Wed, 13 May 2020 12:47:47 +0000 http://www.constantcircles.com/?p=17395 Super Drama continue to build their impressive discography by making their debut on Freeride Millenium with the stellar ‘XoXo’, consisting of two dynamic originals, backed by an excellent remix from Ervadoce. We have the first play of the electrifying opener ‘D List’ – a raw and hypnotising affair, fuelled by bright acid lines, arpeggiated melodies […]

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Super Drama continue to build their impressive discography by making their debut on Freeride Millenium with the stellar ‘XoXo’, consisting of two dynamic originals, backed by an excellent remix from Ervadoce.
We have the first play of the electrifying opener ‘D List’ – a raw and hypnotising affair, fuelled by bright acid lines, arpeggiated melodies and loose drums which all add up to a dance floor gem:

B U Y // https://www.beatport.com/release/xoxo/2923294

A R T I S T // Super Drama
T I T L E // XoXo (incl. Ervadoce Remix)
L A B E L // Freeride Millenium
R E L E A S E // 14th May
C A T N O // FM015
F O R M A T // Digital

T R A C K S //

  1. D List
  2. D List (Ervadoce Remix)
  3. N°.9

F O L L O W //
https://soundcloud.com/superdramasuperdrama
https://www.facebook.com/SuperDrama
https://twitter.com/superdramaldn
http://freeridemillenium.com
https://soundcloud.com/freeridemillenium
https://www.facebook.com/freeridemillenium
https://twitter.com/freeridemlnm

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INTERVIEW: Joannes [Something Happening Somewhere / Patron] http://www.constantcircles.com/interview-joannes/ http://www.constantcircles.com/interview-joannes/#respond Mon, 04 May 2020 16:27:02 +0000 http://www.constantcircles.com/?p=17363 From minimal house, to breaks, to rave, to techno, the unique and analogue based sound of Joannes has already turned heads with stellar releases on some of the underground’s most forward thinking imprints, including Something Happening Somewhere, Patron and RFR. We invited him along for a guest mix and a chat. So firstly, what is […]

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From minimal house, to breaks, to rave, to techno, the unique and analogue based sound of Joannes has already turned heads with stellar releases on some of the underground’s most forward thinking imprints, including Something Happening Somewhere, Patron and RFR. We invited him along for a guest mix and a chat.

So firstly, what is the story behind the name ‘Joannes’ and is this your first alias?

I’ve had a couple of aliases in the past, the most known and recent where Sad Girl and Malbetrieb I guess which I both ended last year, but I will always work under several others. I don’t think in concepts for my music at first and rarely go into the studio with an actual idea. I usually just let it form itself along the way and see where it goes from there.
 
That is also the reason why I change the focus on these aliases often, I don’t want to do the same thing over and over again. Maybe I want to make dub step tomorrow and gabber next week, I need this freedom. With the Malbetrieb alias I really lost that, it got labelled ‘progressive’ but it was actually never really meant that way.

Joannes is the first alias that carries my own name (actually my second name). It’s music from the heart, stuff I make for myself to enjoy throughout the whole process. I don’t intend to please anybody with it, or even release it to be honest. 

What is your background and how did you get into music?

I grew up in the upper north of Holland in a small town in the 80’s and was fascinated by music-technology; cutting tapes and scratching -heavily influenced by the jukebox we had standing in the living room. When the Dutch rave scene came alive I was around 12 so too young to attend, but that didn’t stop me from following it very closely. Collecting flyers, buying records/cassette’s/cd’s, magazines and reading probably every news article that mentioned house music. 

In 1995 I finally visited my first big rave together with my brother and was hooked from the start; the impact of a fat kick drum -or any sound- over a huge PA is just magic. After learning how to DJ and eventually playing some illegal parties (which most we organized with friends for many years, mainly so we could just play ourselves) my interest in making music evolved to a point where I didn’t even want to go to school at all anymore but just wanted to do music.

When I saw The Orb playing live on MTV on a show with Ray Cokes- it just blew my mind (‘Oxbow lakes’ is still one of my favourite tracks ever). I bought a Soundcraft mixer from a local studio, an 808 from a friend at school and within a few months I added a Korg MS20, DOD multi-effect unit and Siel Orchestra 2 Synth (bought from a cousin) and got started. 
No decent tunes came out this setup though for all these years though (lol), it lacked midi and I had to hand-sync them (oh god). Also the Siel was always off key, the warmer it got the higher it was pitched in tune- but it did teach me how to jam with machines and have overall-control. 

Where are you based and how has your home country or town influenced your music & career?

A couple of years ago I moved (even more) up north in Holland, living between the cows and long distance views on landscapes within minutes walk away. The birds wake us up on Sunday-morning here! I also got my studio at home where I can make music 24/7 without disturbing anyone, it’s heaven for me.  

Holland has an amazing rave-culture and heritage and off course its in my blood. We have this DIY attitude and I always embraced that. But after a period of burnouts and depression, mostly caused by a lack of sleep & mind-peace, I prefer to have some distance now from ‘where it all happens’ and try not to be influenced so much. Don’t get me wrong, I love the music but I just don’t really the scene. I’m quite a sensitive person. I couldn’t imagine myself anymore living in Amsterdam, Berlin or even any other big city: I need the fresh air, peace and quietness to function flawlessly and make the music I want to make. 

What is the coolest or craziest gig you have ever played & why?

Paradigm has always been on top of my list, it’s my 2nd home. I even played an all-nighter once -many years ago when we still had the club- that lasted 12 hours, I will never forget that. People were crying at the end, kissing and hugging each other, it still hits me emotionally every time I think of it after all these years. These guys always supported me on every front all these years, even when I changed my style completely they still got my back.

We truly evolved together over the last years. Its a hard time for them cause of the lockdown, so everybody buy their merchandise to support them! 

How would you describe your sound – do you think your music falls into a particular genre?

I think its easier for others to put it in a genre, I just make and play whatever I want but a binding factor however could be my minimalistic approach. Someone one called it half-decent quirky music from another planet and it really felt like a compliment (lol).

I tend to give my tracks lots of headspace and don’t cram it to max with layers. Giving the sounds the time and space to air, breath and do their work. Which is also the reason I work on a strictly hardware based setup, it limits the amount of layers for me to use and forces me to be next level creative on all of them. If I can’t make a track with my 16 audio inputs and all my machines then the track just sucks and doesn’t meet my standards. 

What is your production process – is each project different? And what are your key pieces of studio kit?

It’s a hardware-based setup as I mentioned before and I record pretty much all my tracks in one take preferably- as a jam. Sometimes I overdub some stems with (more) FX, it depends. All my machines are setup for a task, the Digitakt plays the kick drums, the Novation Circuit does all the (synth) sequencing, Basstation on the bass line, the TR-8 does the rides and hats, Korg Wavestation does pads etc. It’s like having a band but I play all the instruments myself. 

Mostly I do recording sessions for a couple of days, but there are also plenty of times I don’t make music at all for many weeks. So when I do go out to record I got plenty of creative-energy to make a whole bunch of music at once. Sometimes nothing comes out, sometimes I record 10-20 tracks or more in 3 days. In that case there is also usually a binding factor between all of these tracks with some sticking out -in a good way- those are the tracks I want to keep. Then I share these with Nuno (dos Santos), Tim (Locked Groove) and some other friends and delete what is left. 

Also I change my setup very often, like 8-10 times a year probably. I literally take everything out of the room and clean it, set up the furniture in a new way if possible, rewire everything, create new chains and load new sounds/patches/presets into my machines. It feels like a whole new studio every-time- but with the same gear. Best advice I can give to anyone making music, it really keeps it interesting.

Tell us your deepest darkest secret?

I’m not a dark-secret kind of person, I really dislike double agenda’s and I’m pretty much an open book to most people. Wait, I got one: I’ve never been to Ikea! For real! (LOL)

What do you have coming up in terms of releases and gigs (or live streams)?

I just released my ‘Comfort EP’ on Patron, next up is my track ‘Macrodub’ on Sohaso – it’s featured on the Nowhere compilation along tracks of Tripeo, Ian Pooley, Mark du Mosch, Luna Ludmilla and many more great artists. Sohaso is also hometurf, Nuno and me are close friends and we don’t spare each other when it comes to our music endeavours. Very valuable!
After that my vinyl EP on RFR will be out incl some extra Bandcamp exclusives. RFR is a label based in Munich that I really love. Zenker Brothers, Skee Mask, DJ Hell- they all released there so I’m pretty proud of this one. Also Richie – the owner- and me became pretty good friends, we share our memes almost daily. 

Live stream-wise I’m probably not going to appear anywhere, I’m not really feeling this whole stream-hype, I barely watch any of them myself too, it bores me after a track or 2. But if it takes us another couple of months to gain back to normal from this crazy situation I might do a live ambient session. On a Sunday, broadcasted from my roof terrace. 

How did you put together your guest mix for the radio show & what have you included – any exclusives or surprises?

The recording features strictly my own productions and they are all unreleased. I thought it would be nice to give listeners something they never ever heard before. All the tracks are still unmastered, but I recorded them on tape for this mix first so it has some extra fuzz. 

I recorded it with Traktor vinyl time code in my living room, which gave me some issues – all the recordings where completely off the grid caused by the reel 2 reel recordings, so it was hard-core-pitching to keep them in sync, felt like living in 1995.

Catch the Joannes guest mix on Constant Circles Radio with Just Her on one of the following broadcasts:
Sat 02.05 – https://deepinradio.com 11pm CET/10pm UK (Just Her Mix)
Mon 04.05 – https://www.cosmosradio.de/ 8pm Berlin/7pm UK
Sat 09.05 – https://deepinradio.com 11pm CET/10pm UK (Joannes Mix)
Sun 10.05 – https://www.saturosounds.com/ – 3-5pm UK
Mon 11.05 – https://Influxradio.co.uk 2-4pm UK
Wed 13.05 – https://globalmixxradio.com 6pm EST/10pm UK
Wed 13.05 – https://dnaradiofm.com 9pm ART/Midnight UK
Wed 13.05 – https://protonradio.com 10pm EST/3am UK
Sat 16.05 – https://deepinradio.com 11pm CET/10pm UK (Just Her Mix)
Sat 23.05 – https://deepinradio.com 11pm CET/10pm UK (Joannes Mix)
Sat 30.05 – https://deepinradio.com 11pm CET/10pm UK (Random Repeat)

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PREMIERE: Quelaan – KTKTS (Original Mix) [Border Recordings] http://www.constantcircles.com/premiere-quelaan-ktkts-border/ http://www.constantcircles.com/premiere-quelaan-ktkts-border/#respond Thu, 30 Apr 2020 12:04:28 +0000 http://www.constantcircles.com/?p=17352 UK based record label Comma Traxx unveils a new digital only side project ‘Border Recordings’. Exploring the sounds that are moving through the underground, one country at a time. First up on the imprint, the label is staying close to home with Unito, a compilation of various artists based in the United Kingdom. Thirteen producers […]

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UK based record label Comma Traxx unveils a new digital only side project ‘Border Recordings’. Exploring the sounds that are moving through the underground, one country at a time. First up on the imprint, the label is staying close to home with Unito, a compilation of various artists based in the United Kingdom. Thirteen producers from mixed musical backgrounds have been brought together to tell a story; pushing genres and expanding into new territories, resulting in an eclectic package of credible underground tracks with something for every mood and floor.

We have the first play of Quelaan‘s deep experimental cut KTKTS, with a glitching groove and wobbling bassline, this is cutting edge leftfield techno with a nod to drum’n’bass. One for the heads…

B U Y // https://www.beatport.com/release/unito-va/2921101

B U Y // http:/www.beatport.com/release/unito-va/2951922

A R T I S T // Various Artists
T I T L E // Unito VA
L A B E L // Border Recordings
R E L E A S E // 4th May 2020
C A T N O // BR001
F O R M A T // Digital

F O L L O W //
https://soundcloud.com/border-recordings
https://commacollective.bandcamp.com/
https://www.facebook.com/borderrecordingsuk/
https://soundcloud.com/quelaanmusic
https://www.facebook.com/QuelaanMusic/

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P R E M I E R E // Lauter & Modat – LA (Original Mix) [Johnny Johnny] http://www.constantcircles.com/premiere-lauter-modat-la-johnny/ http://www.constantcircles.com/premiere-lauter-modat-la-johnny/#respond Tue, 28 Apr 2020 13:08:32 +0000 http://www.constantcircles.com/?p=17340 After both having seriously successful solo projects, with Modat debuting on 2 vinyl only hits, and Lauter advocating a string of deadly independent releases, it was only natural that the two finally come together with an EP that garners everything that their underground imprint Johnny Johnny is all about. Here they deliver the ‘LA Bump […]

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After both having seriously successful solo projects, with Modat debuting on 2 vinyl only hits, and Lauter advocating a string of deadly independent releases, it was only natural that the two finally come together with an EP that garners everything that their underground imprint Johnny Johnny is all about.
Here they deliver the ‘LA Bump EP’ – a stellar two tracker filled with slick silky grooves and subtly crafted soundscapes.

We have the first play of lead track ‘LA’, which is built from the ground up to be a well rounded warmup track, with haunting pads and skipping kits that are led by a tin rim and snare shot underneath soft vocal cuts:

B U Y // BEATPORT // BANDCAMP

A R T I S T // Lauter & Modat
T I T L E // LA Bump EP
L A B E L // Johnny Johnny
R E L E A S E // 2020-05-01
C A T N O // JJ0013
F O R M A T // Digital

T R A C K S //

  1. LA
  2. Believe The Bump

F O L L O W //
https://www.facebook.com/JohnnyJohnnyRecords/
https://soundcloud.com/johnnyjohnnyrecords
https://soundcloud.com/nico-mendez
https://soundcloud.com/saravante

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PREMIERE: Koldar – Brighter Days (Frazer Campbell Remix) [Elliot Project] http://www.constantcircles.com/premiere-koldar-frazer-campbell/ http://www.constantcircles.com/premiere-koldar-frazer-campbell/#respond Thu, 23 Apr 2020 12:19:07 +0000 http://www.constantcircles.com/?p=17332 Pioneering imprint The Elliot Project has explored many routes of minimal and tech house over the past few years, but their 10th release is taking things in a powerful direction, with Foreign Language Records boss Koldar taking the reins for A full bodied aroma of 80’s rave and breaks, oozing warehouse vibes and pure nostalgia, […]

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Pioneering imprint The Elliot Project has explored many routes of minimal and tech house over the past few years, but their 10th release is taking things in a powerful direction, with Foreign Language Records boss Koldar taking the reins for A full bodied aroma of 80’s rave and breaks, oozing warehouse vibes and pure nostalgia, with label head Frazer Campbell on the remixes.

We have the first play of Frazer Campbell’s remix of “Brighter Days”, taking the original track into a deeper direction of mysterious powerful dark room house with his signature synths, acid trippy b lines and relentless drums.

B U Y // https://elliotprojectrecords.bandcamp.com/album/elliot-project-010

A R T I S T // Koldar
T I T L E // Elliot Project 10
L A B E L // Elliot Project
R E L E A S E // April 29th, 2020
C A T N O // ELLIOTPROJECT010
F O R M A T // Digital

T R A C K S //
Brighter Days – Elliot Project
Do Without You
Brighter Days (Frazer Campbell Remix)
Do Without You (Frazer Campbell Remix)

F O L L O W //
https://www.facebook.com/frazercampbellmusic
https://soundcloud.com/frazer-campbell
https://soundcloud.com/koldar808

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